Stanford college essays
Argumentative Essay Topics Psychopaths
Thursday, September 3, 2020
Common man Essay Example for Free
Basic man Essay At one level, the proposal is then simply one more young trade off by the creator in a real existence that he would call empty, servile, and contemptible. He is a feeble and hopeless man. From the get-go throughout everyday life, he was ingrained with the longing to live as per what Bolles (1985) alluded to as the three boxes of life, a craving that most working class guardians pass on to their kids in the creating scene. The three boxes of life being: outside Western instruction, or rather preparing; lucrative expert work in the West or the Middle East; and in conclusion a comfortable retirement plan in North America and additionally Europe, or a dollar-listed benefits to be paid in the nation of origin. As it were, to obtain the sharp language of Malcolm X, my social milieu addressed me in the accompanying manner: attempt to change your status from that of a field slave in the creating scene to a house slave in a created nation with the goal that you are of more use to the ace and get the opportunity to carry on with a moderately agreeable life. Under no circumstances are you to fashion a typical reason with your individual field slaves and work towards another rearrangement of the ranch so all can live with respect. You are, obviously, permitted to be empathetic towards the lower orders, give noble cause, and urge them to resemble you in the desire to copy the ace. Along these lines, I came to see myself as a rodent, in all faculties of the word, and my nation as a sinking transport. Outside training was the raft on which I could escape the boat and present with a grin those very establishments and interests that had boarded and abandoned my boat as well as numerous others like it. With respect to those suffocating in the decks beneath, the idea never truly entered my brain. I currently openly concede that I was unable to get away from the grasp of the principal box in any event, when I became mindful that I would serve the very interests that were contradictory to what I thought spoke to the best in humankind. My trap was expected less to the quality of the case yet to some way reliance forms which were highlighted to a great extent by my own shortcomings, an undesirable desiring for riches and status, and, finally, fainthearted weakness that has made me up until now, to cite Hamlet, ââ¬Ëbear the ills we have than fly to those that we know not of.ââ¬â¢ The jury is still out on the second and third boxes however. I trust the theory will assist me with making my departure from them.
Saturday, August 22, 2020
Need Help With Essay Writing? Learn How to Get Help With Essay Writing
Need Help With Essay Writing? Learn How to Get Help With Essay WritingIf you are struggling with essay writing and need some advice, then this article is for you. You are going to learn the easy way to get help with essay writing. When I first started writing essays, I just couldn't get the words to come out right. It was awful.There were a lot of times that I didn't know what I wanted to say in an essay. I was tired, overwhelmed, and just weren't in the right state to write the essay on my own. So in the past I tried to do it all by myself.I would start with the research and do it during the day at night or even on weekends in the early morning hours. By the time I got done, I was usually so tired that I didn't know what I wanted to do next.The only way to get over this was to get help from someone who was willing to teach me how to write the essay. The best way to get help with essay writing is to get in touch with a professional essay writing service.Since I was already taking som e sort of writing classes, I decided to use that to get help with essay writing. There are a lot of good and great writing classes that you can take, but they are very expensive and not every student can afford them.This made it a little harder to get help with essay writing. But once I started looking for a good college for my writing classes I realized that I needed help with essay writing. Luckily I found one that had a great writing service that I could rely on.One of the reasons why this great service was so helpful to me was because it offered a free trial for them. This way if I liked them I could continue using them forever. That's something that is hard to find in writing classes.As you can see if you need help with essay writing, you should take advantage of a free trial from a service that offers help with essay writing. You won't regret it.
Friday, August 21, 2020
Do You Believe That The Diagnosis And Resulting Profile Prepared By Management Analysis
Do you accept that the determination and coming about profile arranged by Management Analysis Corporation was an essential advance during the time spent finding possibly effective head supervisors? ExplainThe profile arranged by Management Analysis Corporation is the initial phase during the time spent finding a conceivably effective of senior supervisors, however it isn't the main advance. All things considered, after MAC has seen obviously the necessities of Dancey Electronics, they could picture the ideal chief. When this was done, they could perceive what abilities must be natural and what aptitudes can be figured out how to turn into a leader.Then, MAC could propose one more meeting to the applicants. For instance, the up-and-comers are looked to a solid administration issue, and they have to tackle it rapidly. Macintosh ought to dissect responses of the competitors and pick the best one. This implies picking the individual who has the best capacity to change and to adjust to an other circumstance. Thus, I don't have the foggiest idea yet in the event that Joe Morris could be the acceptable possibility for driving Dancey Electronics.Moreover, I imagine that the examination done by MAC is a decent method to discover a conceivably fruitful gathering of head supervisors since it accually depicts the perfect characteristics of being a viable senior supervisor and simultaneously gives us thoughts regarding the relationship and undertaking direction of every up-and-comer alongside investigation of some significant natural factors that may have some impact on their initiative style, for example, the companyââ¬â¢s desire and the subjected desire for the conduct of general managers.However, I think Management Analysis Corporation ought to break down the conduct of the adherents more. Along these lines, MAC will recognize what administration style would be the best for the group.What choices are accessible to change Joe Morrisââ¬â¢s potential adequacy in the ne w head supervisor position?Joe Morris has a high undertaking direction it implies he can apply a starting structure concentrated on objectives and results. Yet, it isn't sufficient to lead a group. Joe Morris must be more relationship situated. We realize that Joe Morris has low abilities in relationship direction. In any case, a pioneer needs to speak with his group to have an effect on the conduct of the people. In the event that Joe Morris doesn't transform, he must be a director, yet not a pioneer. As we learnt in class, ââ¬Å"leaders do the correct things, directors do things rightâ⬠.According to the Fielder hypothesis, Joe Morris can make changes to be more relationship-arranged. He can invest increasingly casual energy (lunch, recreation exercises) with his subordinates. He can likewise demand specific individuals for work in his gathering. He can be a volunteer to coordinate troublesome or inconvenient subordinates. He can recommend or influences moves of specific subo rdinates into his unit. At long last, Joe Morris can raise confidence by getting positive results (unique rewards, time off, appealing occupations) for subordinates.Moreover, Joe Morris ought to follow an instructional meeting to talk about and break down his initiative circumstance. Thusly, he can comprehend his exhibition and improve it. On the off chance that Joe Morris builds his situation of intensity, he could be a superior head since he would fix his need relationship orientation.Why will it be hard for Joe Morris to change his style of leadership?Joe Morris realizes how to compose and characterize the connections in the gathering and he sets up all around characterized examples and channels of correspondence, and explains methods of taking care of business. So it is a decent beginning. In any case, it would be hard for him to adjust his style of authority since it is difficult to transform him. Additionally, he doesn't have a general knowledge of the organization. He needs t o fit in the gathering to in the long run change. Taking into account that Joe Morris is far away from a decent relationship direction, it may be hard for him to comprehend what transforms he needs to do to alter his style of leadership.It additionally might be hard for Joe Morris to change his style of authority because of the contention against the way objective hypothesis whereby subordinates play a ruleâ in the administration style of the supervisor. In that, Joe Morris has a low score in relationship direction which implies that his relationship with the workers may not be as powerful and productive. Subsequently, in spite of the fact that Morris my need to change his authority style type, workers may not be as ready to change given his low relationship direction which in this way makes it difficult for him to change his initiative style.But then again, as indicated by the Leader-Member Exchange Approach, there is no predictable pioneer conduct across subordinates and Joe Morr is can act in various manners with his future adherents than he used to. So he might not need to change his style of authority and still be valued by his devotees. Accordingly he will end up being a decent pioneer.
Wednesday, June 17, 2020
Language and the Path to Conversion - Literature Essay Samples
In St. Augustineââ¬â¢s Confessions, language was necessary on Augustineââ¬â¢s path to conversion, but also caused him to deviate from the same path. By being able to speak and read, Augustine first learned about God, while his final conversion in the garden at Milan involved hearing a child chanting and reading a passage from the Bible. On his path to God, however, language presented a trap for Augustine, when early on, he was unable to look past the physical words in the Bible that were merely representational of God. This brings up the issue of how language can be both helpful and harmful when one is trying to understand God. Language is necessary on the path to conversion, but the use of external words must be combined with internal perception through self-discovery in order to overcome the obstacles that language presents. Language was a necessary factor in Augustineââ¬â¢s path to conversion. Through language, Augustine was able to enter into ââ¬Å"the stormy society of human lifeâ⬠(Augustine 11) and learn about God from other humans and books. Learning how to speak allowed him to interact with humans and develop faith by following the examples of those around him. As a young boy, Augustine was already a believer of God, like his mother and most of his household (Augustine 14). He was able to develop this early foundation for living a faithful life because of interaction with others. Language also allowed Augustine to read the Bible. At this point, the same factor that had led Augustine towards God, led him astray. His focus on language, rather than the internal meaning of the Bible, caused him to be attracted to the Manichees and the way they spoke about God. Augustine was missing internal perception, something necessary to understand God, which was why language became an obstacle on his jou rney to conversion. Although language was necessary for Augustine to learn about God, it also presented an obstacle because language is merely representational. When Augustine first read the Bible, he was unable to look beyond the physical words on the page. He thought the Bible unworthy compared to the works of Cicero and noted that his ââ¬Å"inflated conceit shunned the Bibleââ¬â¢s restraint, and [his] gaze never penetrated its inwardnessâ⬠(Augustine 40). Augustine was not satisfied with the Bible because he thought the words on the pages were too simple for him, when in reality, he was too concerned with the words rather than what the words meant. The problem with language is that it is inherently distancing, because it is merely a representation of something. For Augustine, this meant that taking the Bible literally in his first reading distanced him from God. Similar to when Augustine first learned to speak and used words as signs of his wishes (Augustine 11), the Bible is a representatio n or a ââ¬Å"signâ⬠of God. Words are not the actual wishes they are describing, just like the Bible is not actually God. Augustine was not satisfied with his first reading of the Bible because he was unable to look beyond the words that were only representative of God. Language is also harmful because it can hide the fact that something is devoid of truth. Augustine was again distanced from God through language by trying to understand God through the Manichees. He was attracted to the Manichees for their ââ¬Å"slick-talk, very earthly-minded and loquaciousâ⬠, and it is only much later that he realized their hearts were empty of truth (Augustine 40). Even though the words coming out of their mouths sounded good to Augustine, they did nothing more than mask the Manicheesââ¬â¢ poor understanding of God. Their words were representing something that was false and presented a trap for Augustine, who at the time, did not know that they were misrepresenting God. Language as an obstacle to imitating God became more apparent with the arrival of Faustus, who was known as ââ¬Å"a great trap of the devilâ⬠because of his smooth talk (Augustine 73). It is interesting that Faustusââ¬â¢ use of language here is being compared to the devil, because the Manicheesââ¬â¢ use of language is something that distanced Augustine from God. Faustus is seen as one of the most respectable Manichees, but it is his fancy words that earn him this reputation, not his understanding of God. Even when words are truly representational of God, language alone is not enough to understand him. In order to imitate God, one must turn inward, but language is an external, so the two must be reconciled. Augustine witnessed Ambrose reconciling both the inward and outward when he saw him reading silently. When Ambrose read, ââ¬Å"his eyes ran over the page and his heart perceived the sense, but his voice and tongue were silentâ⬠(Augustine 92). Ambrose still processed the words on the page, but his heart is what allowed him to understand God. His silence showed that the physical words on the page were not the most important aspect of what he was reading. Since words are representational, they are not enough for one to come to a full understanding of God. Ambroseââ¬â¢s eyes are what saw the external, the words representing God, but it was his heart that was able to move past representation and sense what was internal, namely God. Like Ambrose, Augustine was later able to reconcile external language and internal perception, but only near the end of his long journey towards full conversion. Augustineââ¬â¢s final conversion involved reading a passage from the Bible. He read one sentence and did not need to read any further because it was as if ââ¬Å"a light of relief from anxiety flooded into [his] heartâ⬠and all his doubts were dispelled (Augustine 153). Like in the case with Ambrose, it was Augustineââ¬â¢s heart that was most affected by language. This marked a transformation in the way Augustine understood words as a way to reach God. When he first read the Bible, he could not penetrate deep into the meaning of the text and failed to understand God from it. This caused much doubting in Augustine, as he tried to find a different way to understand the Bible. After a long intellectual journey, Augustine was finally able to turn towards God because he learned that he needed to return into himself and see with his soulââ¬â¢s eye rather than his physical eyes (Augustine 123). Understanding God as a transcendent light that cannot be perceived by bodily senses was what allowed him to read the Bible passage in the garden and experience his final conversion. Since God cannot be experienced through any of the bodily senses, he must be reached through internal means of the heart, mind, and soul. The internal perception that is necessary to understand the meaning behind language must also involve knowing oneself. The scene in the garden was a pivotal moment in Augustineââ¬â¢s journey. Yet it was the child chanting and the short passage in the Bible, both involving the use of language, that brought about his final conversion. Previously, language had caused Augustine to distance himself from God, but throughout his journey, he was able to learn more about himself. Right before reading the Bible passage, Augustine contemplated why his soul still refused to convert even though there was no excuse for it not to (Augustine 146). He discovered the inner struggle going on within him and his self-examination was interrupted the sound of a child chanting (Augustine 152). The chant was merely words, but Augustine understood it as a sign from God. He was able to understand it in that way because he had been deeply contemplating about himself and his internal struggles. Knowing himsel f better allowed him to know God better, and this caused Augustine to interpret both the chant and the Bible passage on a spiritual level. On Augustineââ¬â¢ path to conversion, language posed an issue, because it helped him towards God but also presented obstacles as well. Language allowed Augustine to first learn about God as a young boy, and later experience his final conversion when he read the Bible passage in the garden. Augustineââ¬â¢s focus on language, however, also caused him to shun the Bibleââ¬â¢s restraint and turn towards to Manichees, rather than God. This issue of language being both necessary and problematic can be reconciled by combining both the need for language and turning inwards through self-discovery, as demonstrated by Ambrose and his silent reading and Augustine during his final conversion. It is interesting that Augustine addressed God directly when he wrote Confessions, since God already knew all of Augustineââ¬â¢s sins. Even though writing out his confessions involved the use of language, it did not bring him away from God. By physically writing out his confessions, however, Augus tine was representing himself through words. This activity of writing his confessions allowed Augustine to better know himself, and in better knowing himself, he was able to get closer to God.
Monday, May 18, 2020
The Difference among Obliviousness and Knowledge in Bradburys Novel Fahrenheit 451 - Free Essay Example
Sample details Pages: 3 Words: 932 Downloads: 2 Date added: 2019/03/26 Category Literature Essay Level High school Tags: Fahrenheit 451 Essay Ray Bradbury Essay Did you like this example? Ray Bradburys novel Fahrenheit 451 delineates a general public where individuals pulverize learning and advance numbness. In his fantasized world regular folks eagerly fit in with the standards set up by the government, which plan to make everybody approach. This similarity is authorized to maintain a strategic distance from any contention and satisfy the minorities, and this is the place the fire men come in. Donââ¬â¢t waste time! Our writers will create an original "The Difference among Obliviousness and Knowledge in Bradburys Novel Fahrenheit 451" essay for you Create order The fire men are sent to consume the books and wipe out any substance that would rattles society as books resemble a disturbance of peace. Oblivion is to a great extent spread all through the populace, yet there are a couple of people who can get away from this flood of numbness and endeavor to save learning and change society. All through this novel, Bradbury thinks about the musings and activities of his two differentiating characters, Montag and Mildred, to uncover the points of interest and drawbacks of obliviousness and information. Basically Bradburys cutting edge novel makes the audience question what makes us actually filled with happiness; taking the path of least resistance and carrying on with an oblivious life or testing ourselves by learning and battle with the results shrewdness brings. Obliviousness is in its tendency a simple and relatively engaging condition of being. By being uninformed we are exempted from considering, stressing and besides settling on wrong choices since we essentially dont have the foggiest idea about any better. However, is being oblivious being anywhere near pure happiness? For Mildreds situation, a character that in this novel epitomizes an ordinary regular citizen, that isnt even an inquiry. She doesnt stress over being cheerful or anything to that issue, rather she strolls through life mindlessly and is devoured by the motionless everyday. Mildred survives the parlor walls, a modify reality that is an environment as real as the world. It becomes and is the truth. (84) Mildred cant get away from this alternative world, and rather fits in with what the parlor close relatives say since she needs to accept and is persuaded that this is reality. Books arent real (84) to her and the information they contain is terrifying and hazardous in light of the fact that it obliterates the vision of her own dream world. Towards the finish of the novel Montag pleads that she alter her way of life. He beseeches her to really hear him out and read a book and understand. Notwithstanding, Mildred obtrusively declines to do as such in light of the fact that she sees learning as a danger to herself. Rather she shouts for him to quit, demonstrating that she would preferably be unmindful than be presented to something obscure. Mildreds disobedience towards information shows how here and there not knowing is less demanding that managing reality. However, is overlooking reality any better? Will joy truly be accomplished through self-double dealing and similarity, or is testing reality what makes us content? A few characters, for example, Montag, Faber and Clarisse cant surrender to obliviousness. They, not at all like the others trust that books are great and that learning is the premise of joy. These think past the parlor walls and dont simply talk things, they discussion of the meaning of things. (75) Bradburys character, Montag, changes from insensible to learned and demonstrates that satisfaction is especially tied in with the idea information. Montag starts the novel as Mildred does, absent. He is a fire men and appreciates consuming books since it is the thing that he assumed do. He doesnt address nor does he think past his obligations. This rapidly changes when he meets Clarisse. She makes him question in the event of weather or not he is content with life, and the acknowledgment that he isnt touches off his look for something more. In his mission for reality Montag in the end understands that an existence without learning and without correspondence is unfilled. This vacancy freq uents him and he battles to safeguard a universe of books and a universe of significance, regardless of whether it implies placing himself in threat. Montag starts to open the books he once consumed and despite the fact that their substance loads him he feels that he cant return to an existence where nothings connected up. (46) Montag sees that dread is what is keeping numerous from peaceful lives, for the most part the dread of committing errors. However even know there is a shot of disappointment Montag battles for the opportunity of information on the grounds that as Faber says, mistakes can be profited by. If you hide ignorance, no one will hit you and you will never learn. (104) Montag demonstrates to us that life is tied in with being wakeful and associating with individuals. Towards the finish of the novel Montag comes to comprehend that information is the thing that conveys significance to our lives, and that is the thing that makes us blissful. There are numerous methods for translating and understanding the difference among obliviousness and knowledge in Bradburys novel Fahrenheit 451. On one hand we can presume that aggregate numbness is joy in light of the fact that the oversight of information shields us from our issues. The individuals who favor this contention will concur with the announcement obliviousness is delight, and will consider numbness prompts an agreeable simple life. Nonetheless, the individuals who differ will esteem that bliss is just accomplished through knowing, considering, learning and associating. The two sentiments are satisfactory. Genuinely, the immense achievement of Fahrenheit 451 is the manner by which Bradbury can make the audience think and question the idea of influence of ignorance and how knowledge can overpower.
Wednesday, May 6, 2020
Book Review Hungry Start Up Strategy - 2077 Words
Book Review - Hungry Start-up Strategy Introduction Entrepreneurship is a very common term now-a-days and it is the dream of most business graduates to start up their own firm. Many business schools are offering courses on entrepreneurship. They feed the motivation to start up oneââ¬â¢s own business and many college graduates have done it very successfully. They choose to start up their own venture instead of working for other existing companies. There are many reasons not to start up a business and there are many reasons to fail. But the most common thing that drives the entrepreneurs is that they were all hungry for success. The purpose of the book ââ¬Å"Hungry Start-up Strategy: Creating New Ventures with Limited Resources and Unlimited Visionâ⬠is to give a guideline to those who donââ¬â¢t have enough capital to invest and but has unlimited vision. Inspired by Michael Porterââ¬â¢s model, the author, Peter S. Cohan tried to give them a clear guideline with some examples interviewing 162 start-up CEOs and their start up strategies are summarized to illustrate different strategic viewpoints. These are the fuel cells that burn the desire. The author himself started his consulting firm in 1994 and invested in 6 start-ups, 3 of which were sold for a total of $2 billion and 3 went out of business. This book comes from his hunger to spread his knowledge to the new entrepreneurs. In this book Mr. Peter differentiated two different eras of business entrepreneurship. The first one was duringShow MoreRelatedBook Publishing in 2010 Essay1658 Words à |à 7 PagesSummary This paper is about Book publishing industry in the USA. Main analysis are done using Porterââ¬â¢s five forces analysis. First analysis is on industry before e-books while indentifying main levels of threats for industry from existing rivalry, new entrants, bargaining power of buyers, bargaining power of suppliers and substitutions. Also, same research is being conducted for industry after e-books emerged. Next part is looking to the future of industry and identifying main opportunities andRead MoreBook Publishing in 2010 Essay1614 Words à |à 7 PagesSummary This paper is about Book publishing industry in the USA. Main analysis are done using Porterââ¬â¢s five forces analysis. First analysis is on industry before e-books while indentifying main levels of threats for industry from existing rivalry, new entrants, bargaining power of buyers, bargaining power of suppliers and substitutions. Also, same research is being conducted for industry after ebooks emerged. Next part is looking to the future of industry and identifying main opportunities Read MoreEducation and Welfare1463 Words à |à 6 PagesWithin this paper I plan to address this issue and those that contribute to education, or lack there of, for welfare recipients. 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Practical Similarities and Differences of Stile Antico and Stile Moderno Essay Example For Students
Practical Similarities and Differences of Stile Antico and Stile Moderno Essay Trey SmagurSmagur 1 28 November 2009 Dr. Frederick Tarrant Music History: Baroque to Romantic Practical Similarities and Differences of Stile Antico and Stile Moderno When the general public thinks of Baroque music, they might think of the High Court sounding French concerto, or one of Bachââ¬â¢s many and well-known fugues. These highly structured pieces with their vigorous counterpoint and technical brilliance might be considered ââ¬Å"tightâ⬠and ââ¬Å"incredibly mechanical. However, these pieces though full of well thought out lines, phrases, and ornamented passages are not driven by the writers will to keep the music enslaved in rules and restricting limits of harmony. The Baroque era contained the elements of the stile moderno, a practice where the harmonies of music weââ¬â¢re not thought of as how they fit with the other notes on the page as much as they each followed their own particular line. These ideas were wrought from an earlier practice known as the prima pr actica or stile antico. The differences between the stile antico and stile moderno are large in many respects including the lives of the men who lived by both practices. One of the large differences that many people first hear of when they look at the two practices is that of harmony. These two styles have many different views of how harmony should be used in pieces pertaining to all music. The earliest composer known of to truly ââ¬Å"break the rulesâ⬠and use dissonances to cultivate the text or feeling in a piece that was not widely Smagur 2 ccepted as the right way of doing things was Claudio Monteverdi. Count dââ¬â¢Artusi was rather loathing of Monteverdiââ¬â¢s Cruda Amarilli which did not follow some of the earlier models set by those firm believers in being the owner of the music. Giovanni Pierluigi da Palestrina is one example of the men who made such rules for music strictly pertaining to dissonances and over all lines. Cruda Amarilli is by no means an out of the box piece for our ear, however in these days Monteverdi was considered a rebel for ââ¬Å"betrayingâ⬠the most beloved guidelines set by the Renaissance Composers. In many ways these first pieces of the new practice weââ¬â¢re not completely set to the ideals later stated as those that were the guidelines of stile moderno, and followed many of the same rules set in stile antico. The polyphonic ways of old followed many strict limitations including the resolution of dissonances almost immediately if they were not on the passing tone and for melodic lines to almost always go up or down by step. If the melody leaped it was to be immediately countered by moving in the opposite direction by step. Though these guidelines most likely felt limiting to the composers who began the new practice, it was most likely not their aim to just diminish stile antico for the sake of selfish gain. The men who were at the apex of the shift to the new understanding of harmonic and melodic lines as well as the genre for which the music was being composed were known as the Florentine Camerata. These men were looking back in time for not the changing of music, but for a new way of life. What they found were the Greek tragedies and poems that had been cherished for many years. The group decided that they would use these philosophical methods of ethos and emotion in their lives as well as their composition and arts. What began from this was a certain emotional draw in the music of the composers in the group as well as those influenced by them. Dissonances became more and more widely accepted to express a certain Smagur 3 emotion being portrayed by the text or structure of the music. Each line was given its own unique qualities and was not fit to the other lines only to make sure the harmonic intervals were always set perfectly. This could be why in most Baroque music the chords change almost every beat of the music. .u2275d2939f3869f81cc98ccbe82f8c4a , .u2275d2939f3869f81cc98ccbe82f8c4a .postImageUrl , .u2275d2939f3869f81cc98ccbe82f8c4a .centered-text-area { min-height: 80px; position: relative; } .u2275d2939f3869f81cc98ccbe82f8c4a , .u2275d2939f3869f81cc98ccbe82f8c4a:hover , .u2275d2939f3869f81cc98ccbe82f8c4a:visited , .u2275d2939f3869f81cc98ccbe82f8c4a:active { border:0!important; } .u2275d2939f3869f81cc98ccbe82f8c4a .clearfix:after { content: ""; display: table; clear: both; } .u2275d2939f3869f81cc98ccbe82f8c4a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2275d2939f3869f81cc98ccbe82f8c4a:active , .u2275d2939f3869f81cc98ccbe82f8c4a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2275d2939f3869f81cc98ccbe82f8c4a .centered-text-area { width: 100%; position: relative ; } .u2275d2939f3869f81cc98ccbe82f8c4a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2275d2939f3869f81cc98ccbe82f8c4a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2275d2939f3869f81cc98ccbe82f8c4a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2275d2939f3869f81cc98ccbe82f8c4a:hover .ctaButton { background-color: #34495E!important; } .u2275d2939f3869f81cc98ccbe82f8c4a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2275d2939f3869f81cc98ccbe82f8c4a .u2275d2939f3869f81cc98ccbe82f8c4a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2275d2939f3869f81cc98ccbe82f8c4a:after { content: ""; display: block; clear: both; } READ: A Big Loss EssayThrough their new standard of living the Camerata was able to express themselves in the arts and changing the face of much of the music coming out along with them, though the roots from previous styles had not been forgotten. The ideas and beliefs brought forth by the Camerata and many others were whole and acted as a benchmark for moving forward in music, but the ideas of past musical structures had not been forgotten. Polyphony which had seemed to be a key part of the stile antico with its many rules on line and counterpoint made a strong return through the Prelude and Fugue, particularly by Johann Sebastian Bach. J. S. Bach wrote many organ pieces with long and fluid contrapuntal passages still following the ideals set in the prima practica. Many of Bachââ¬â¢s works had outlines brought pieces by such composers as Palestrina who some consider the father of the first practice. Palestrinaââ¬â¢s Missa sine nomine gave Bach a strong inspiration for his particularly famous Mass in B Minor. Through this polyphony Bach was able to inspire the Lutheran Church as well as the works of many other composers who would later use his works as basis for their own. Many of the composers who would do this would move out of the Church setting and into private parties and royal houses to entertain, which was not heard of by the earlier predecessors of Polyphony who would have stayed in the churches. These men would have only gone outside of the church if the King or a royal call was offered and would then return to the church for duties. Smagur 4 Another true freedom of the new practice was the theory of basso continuo or figured bass. The bass line would not be completely illustrated but just given the chord structure and let the accompanist play the other notes how they saw fit. This would mean that you may have gone to one place to hear a piece of music only to hear it completely differently played the second time that you heard it. This type of freedom was one very large part of the stile moderno that is still used in much of music today. The idea was originally featured by Giulio Caccini in his work Le nuove musiche. Because of this freedom however, some accompanists saw it fit to waste around the accompaniment only playing bare bones of what was needed to fill in the chords given. This might have been one of the reasons that many of the opposition saw this to be a ridiculous new intervention because of bass line that was to be read differently, without a complete structure every time it was played. A collaboration of all of the ideas set forth in this practice would be the monody. Monodies of the time were solo works with a figured bass as the accompaniment with many dissonances and harmonic imbalances throughout to demonstrate the emotion being felt through the text. These pieces also had a strong tie to the Greek tragedies believed in by the Camerata as well as many others. Many of these monodies were used in some of the earliest operas which were the stories of the Greeks and the lives of the gods such as Orpheus. Because these early operas had no true arias and followed a different structure with more recitative like phrases throughout the entire work, these monodies were used as a true expression of what was going on in the aria, though they were not only performed in operas, this might have been where they found their best fit. These monodies were also some of the premiere works in the second practice to show off all the ideas that had been brought forth by these composers. Smagur 5 The men who used the second practice to launch a new era of music did not do so for themselves or because they felt a grudge against the prima practica, they did so with the hopes of bringing the raw emotion back felt in the stories and tragedies of the ancient Greeks. .u4a9b4cc5581534010873c1a13513cefe , .u4a9b4cc5581534010873c1a13513cefe .postImageUrl , .u4a9b4cc5581534010873c1a13513cefe .centered-text-area { min-height: 80px; position: relative; } .u4a9b4cc5581534010873c1a13513cefe , .u4a9b4cc5581534010873c1a13513cefe:hover , .u4a9b4cc5581534010873c1a13513cefe:visited , .u4a9b4cc5581534010873c1a13513cefe:active { border:0!important; } .u4a9b4cc5581534010873c1a13513cefe .clearfix:after { content: ""; display: table; clear: both; } .u4a9b4cc5581534010873c1a13513cefe { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4a9b4cc5581534010873c1a13513cefe:active , .u4a9b4cc5581534010873c1a13513cefe:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4a9b4cc5581534010873c1a13513cefe .centered-text-area { width: 100%; position: relative ; } .u4a9b4cc5581534010873c1a13513cefe .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4a9b4cc5581534010873c1a13513cefe .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4a9b4cc5581534010873c1a13513cefe .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4a9b4cc5581534010873c1a13513cefe:hover .ctaButton { background-color: #34495E!important; } .u4a9b4cc5581534010873c1a13513cefe .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4a9b4cc5581534010873c1a13513cefe .u4a9b4cc5581534010873c1a13513cefe-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4a9b4cc5581534010873c1a13513cefe:after { content: ""; display: block; clear: both; } READ: Do Corporations need regulations? EssayThough the many differences between the first and second practices separate them in many ways, the practices still hold some similarities especially along the lines of contrapuntal polyphony. These men of the Camerata as well as the other men with the same beliefs were not out to destroy the previous music by such composers as Palestrina, they were out to find a new way to express themselves and enjoy art in a new form. This way of art has not since been lost and is still celebrated today through many Baroque enthusiasts.
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